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The Evangelization of Masculinity and Femininity through Music

I began writing this post on the evening of February 2nd before going to a basketball game. That basketball game had great effect on my life. See this post, this one, this one, and this one for details, if you haven’t been following along. Anyway, I finally want to try and finish the post because the insight I feel is very important.

I had the opportunity last night (last month now, but for my own emotional posterity, I will let the misinformation stand, I apologize for being overly attached) to go to my first Matt Maher concert, yes, first. I have been present when he has led worship and led music for the liturgy, but as for a concert this was a first. It was a great blessing. It took on a different form from the usual concert feeling. The opening act, Audrey Assad, played in the middle of Matt’s set. A bit different indeed but it brought out something for me that was really poignant that evening.

Through Audrey’s music and Matt’s music came forth the natural complementarity of sexes. Matt and Audrey are obviously very good friends who have a relationship that spans way past music and is rooted in the heart of Jesus Christ. They’ve played music together for many years, and that chemistry is immediately apparent to those participating in their live show. Matt was a certain influence in Audrey’s conversion to the Catholic faith. The added depth of his spiritual fatherhood, in a sense, deepens their relationship on stage. Friend and father. Male and female. (It must be stated for the one who misunderstands my words. I am in no way saying are they intimate than in a manner of friendship. Be patient and I hope to show how their communication of the beautiful truths of the human person set them apart from most other professional musicians and songwriters. P.S. Their both happily married. Matt is already exhibiting the fruit of the oneness with his wife through their beautiful baby boy.)

Matt’s music is very forthright. It’s out there, driving. His latest album, even more so than previous albums manifests his masculinity. The melodies are deeper, the rhythms are heavier and stronger, the messages are kerygmatic. He is out there, moving forward, pushing forward. In a sense, they imitate that natural inclination of the male to give himself fully to suffer everything for the sake of self-gift.

Audrey’s music on the other hand is very introspective. It speaks much about her relationship with her Redeemer. It is very receptive, light, melismatic. It’s very feminine. She uses keyboard settings that are more etherial setting a mood of receptivity.

At certain songs they came together, and witnessed through music the beauty and wholeness of marriage. Masculinity and femininity were brought together to shine forth new creation.

The witness of such beautiful and awesome, indeed truthful, self-understanding from this man and this woman will have great effect on their audiences. This is how I can be a man. This is how I can be a woman, and feel and be whole. All is centered on Christ, the Savior, the True Man, who takes away that which prevents wholeness, completeness, joy.

Matt and Audrey, if you read this. Thank you for your witness of what is to be a man and what it is to be a woman.

About Fr. Kyle

I am a priest of the Archdiocese of New Orleans. I was born and raised right outside New Orleans. I attended Catholic school my entire educational career. By the time I graduated high school, I had two paths to choose: rockstar or priesthood. I pursued both for awhile but eventually came to the understanding God's will was priesthood and my will was rockstardom. After making that decision, to allow God's will to be mine, I needed a new way to channel my creativity. I began writing as I finished up my formation for priesthood. I still play music, but priestly ministry comes first. My bride: St. Rita of Cascia Parish in Harahan, LA.

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